Free Ebook But He Doesn't Know the Territory: The Making of Meredith Willson's the Music Man, by Meredith Willson

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Review

"Dollars to doughnuts, Meredith Willson dotes on brass bands. In The Music Man, he has translated the thump and razzle-dazzle of brass-band lore into a warm and genial cartoon of American life." —Brooks Atkinson, New York Times, 1957

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About the Author

Meredith Willson (1902–1984) was a renowned composer, songwriter, and musician. He is best known for composing The Music Man and The Unsinkable Molly Brown.

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Product details

Paperback: 192 pages

Publisher: Univ Of Minnesota Press; Later Printing Used edition (August 28, 2009)

Language: English

ISBN-10: 0816667705

ISBN-13: 978-0816667703

Product Dimensions:

4.8 x 0.7 x 7.4 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

74 customer reviews

Amazon Best Sellers Rank:

#439,580 in Books (See Top 100 in Books)

I heard of this book on SiriusXM Broadway. Seth quoted several times from the book. I pulled over the car and wrote down the title. Strange thing is I didn't get the book until four months later. Once I started I didn't put it down. Music Man was one of the first soundtracks I can remember hearing. Then seeing the movie and then being a boy in the band in our Robertson County Players community theater. I believe that I became a trombone player because of this show. Music Man is an escape from this crazy world each and every time I hear or see it. This book opened so many insights of Meredith with his beginnings and the struggles of opening the play. I will see Music Man from now on in a whole new light because of this delightful book. Thanks.

Great Broadway shows are like swans on a lake: the audience only sees the graceful progress up top, not the miserable paddle-like-hell work underneath. But He Doesn’t Know the Territory gives us a marvelous glimpse not just in the mechanics of paddling this iconic show but how it’s composer learned how to swim.We also hear the “voice” of that composer, Meredith Wilson, and his joyous love of words, the very sounds that they make. This love, spotlighted in some of Music Man’s best numbers (“Train Song”, “Ya Got Trouble) shimmers off the page with energy and life. The author’s personality blasts through each paragraph and it’s a joy to read out loud.The book is a must read for theatre geeks of all ages, and all who remember the show with nostalgia. And it needs to be ready by anyone who gets overwhelmed by the creative process. After all, what does it matter how many times this script was rewritten? They ended up with The Music Man

I'm getting tired of the "folksy" style of the writing. I doubt that everyone in Iowa speaks in the way Willson seems to. The book would be much better if it was just written in a more straight forward way, instead of with all the cute expressions and colloquialisms. The book seems to be taking about as long to read as it did to bring the musical to Broadway, but I'm powering through. "The Music Man" is one of my favorite musicals and has been since I was a child. I want to know the story, so I'll keep reading. I just wish it was easier going. I'd only recommend the book if the person I'm recommending it to is a die-hard "Music Man" fan and is ready to settle in for a long haul.

I love "The Music Man." It's such a charming, and well-written show. It wasn't until I came across this book on Amazon that I learned about its underpinnings. The book is a history of how the show came about, and the struggle to bring it from a tale of Meredith Wilson's Iowa home town to a wildly successful stage production on Broadway. It's written in a simple, Midwestern colloquial style. The book chronicles the ups and downs of trying to create a musical. Expanding the concept, developing the characters, writing the music and lyrics, and working with producers to take it from some handwritten notes to a well tuned full-length musical with engaging characters, a strong story line, sets, scenery, orchestrations, actors, and a happy ending.If you enjoy musical theatre, and especially if you are a fan of "The Music Man," you can't go wrong with this book. It's like sitting with Mr. Wilson as he tells you, in stark, but succinct detail about the trials, tribulations and intermittent triumphs on the road to a successful show.

I very much enjoyed this book. It took a while to get into it, as Meredith Willson's writing style is very colloquial . Once the story gets into the development of the play and the description of how the production got off the ground, it becomes very enjoyable. My only regret is that this book only follows the development of the musical through it's opening night on Broadway. If it had carried through to the duration of the play on Broadway and the development and production of the movie version, it would have been more enjoyable. As it is, it ends just as the opening night concludes. And it does so very abruptly.Overall, an enjoyable read.

I can't rate this highly enough. Meredith Willson takes the reader inside his head and into his life during the years he spent writing and developing "The Music Man", one of the greatest American musicals. While his trademark wit and wry laconic humor effortlessly lead the reader through the story, his deep passion and rare intelligence shine through. The book takes you through every twist and turn right up to the curtain on opening night. You learn the slow tortuous process of gradually getting every detail perfect in what we now know as an apparently effortlessly perfect show.Readers who love theatre, musicals, and the history of show business shouldn't miss this wonderful book. It was written and published very shortly after the show's initial success, and every word feels fresh and alive with the feelings of events that have just happened. What a treasure!

Interesting behind-the-scenes story about how "The Music Man" came together. You probably need to be a serious fan of the musical/movie to really appreciate this. I was hoping for a little more detail in the section where the on-stage product was developing. That seemed a little light, compared to the space devoted to the very early development of the script and putting together the production team. When we got to the part about the actual rehearsing and off-Broadway opening, the pace moved almost too quickly. However, Willson writes with a fun, light style that helps relay his sense of amazement of what was happening, A very entertaining read.

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