Free PDF Daily Warm-Up Exercises for Saxophone

Free PDF Daily Warm-Up Exercises for Saxophone

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Daily Warm-Up Exercises for Saxophone

Free PDF Daily Warm-Up Exercises for Saxophone

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Product details

Paperback: 32 pages

Publisher: Hal Leonard (May 1, 1996)

Language: English

ISBN-10: 0793563658

ISBN-13: 978-0793563654

Product Dimensions:

9 x 0.1 x 12 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

42 customer reviews

Amazon Best Sellers Rank:

#222,747 in Books (See Top 100 in Books)

First of all, I am a band teacher and a saxophonist. When I grew up as a kid, trying to master the language of jazz, I spent a lot of time shedding my chords. I can still remember my old practice sessions: up and down each major and minor scale. Up and down all my dorian and mixolydian scales. Up and down my major 7, minor 7, dominant 7, and diminished chords. But even though all this work prepared me for anything music theory could throw at me, that process didn't prepare me to improvise as well as I wanted it to. One of the reasons this old method didn't work is because it was a static process. This meant that my fingers and ear only learned the chord in the context of that chord alone, or the scale in the context of that scale alone.The reason why this process isn't so great is because for music to live, it has to have movement. What this means is that the music has to move across the bar line. Otherwise, kids can shed and then try to play changes and what happens is just some up and down vertical chord dabbling.Enter the Jackie McLean Daily Warm-Up Exercises. I suggest listening to some Jackie McLean before purchasing this warm-up. Bluesnik would be a good track. If you listen to it, you'll notice that Jackie's tone is really full-throated. The first thing I noticed when warming up from this book is that my tenor sound started to improve. It opened up. What this tells me is that I wasn't even aware that I wasn't blowing air evenly throughout my instrument. I've been hating my tenor sound lately, but one warm-up session on McLean's Grand Exercise dramatically improved my sound. WHY?First of all, McLean's idea for a Grand Exercise is awesome. He starts us out on augmented chords that you play up in F and then down in E and then up in Eb and then down in D. This creates a natural contour with a constantly free flowing movement. After moving through every augmented chord he uses the same process to go up and down major scales, then major chords, then minor scales, then minor chords, then diminished scales, then diminished chords, then minor chords, then minor scales, then major chords, then major scales, where we finally end again on augmented chords. At every location we play through all 12 keys twice.The cool thing is that the grand exercise keeps constant chromatic movement over 11 pages. This allows for no pauses except to turn the page. I'm noticing that the changes between different types of scales and chords while requiring constant air really allows for the sound to open up. I've always been one for improving my tone, and I already know these chords and scales well, so I was able to really focus on my sound. I noticed my tongue and jaw position was changing as I listened and felt my way through the exercise. The change in sound was awesome, too. When I think back to how McLean sounded on Bluesnik, I can totally see why he sounded the way he did.This is not the only book that jazzers should be practicing out of, but this is definitely THE warmup that serious saxophonists should be using. I timed myself sight-reading through the Grand Exercise and it took just under 15 minutes. I think that once I memorize it I could probably cut that time in half. A 7 or 8 minute warm-up that makes for fluid fingers and great tone while helping the ear hear all of these different chord qualities is invaluable. This is a must! Even if it takes you 20 or 30 minutes.My only suggestion for the publication is that McLean didn't put the chord symbols on top of the chords or scales. I can't stress how important this is. As a educator for the last 20 years I can tell you that there is definitely a tendency for the brain to turn off when confronted will all of this ink. If the saxophonist is just reading the ink and not connecting the feeling of the fingers and the sound of the chord to the chord symbol that they will eventually see when improvising, then they won't be making all the connections that can be had from this warm-up. I have been taking the time to write in the chord symbols over every scale or chord. I can't recommend this highly enough.I think a burning 8th grader could probably play this, but they would have to already know their major and all their minor scales.Also, I think the best form this warm-up should eventually take is to memorize like Jackie McClean says, but to have just the chords in front of you so you can practice seeing them and just recall the chord or scale. Eventually once you have that memorized, you need to be able to visualize the chord symbol while playing the whole thing from memory. It can be done. I can't wait until I can!

This is a simple concept which is executed perfectly in this book. Warm up on some long tones and move to scale work in major / minor keys. The little things that are done very well make all the difference. All scales move seamlessly, no key change on the notes over a bar, i.e. Jackie writes out all the flats/sharps within each bar so the player isn't thinking key changes, just chord changes.Progressing through the minor scales are very good as well. I don't think I've seen this type of layout of going through the minor scales even in the Universal Sax method. Once you do the warmups enough where they have become memorized the grand exercises will keep you busy enough to get a lot out of this book for years no matter what level you are at. Good for beginning and advanced sax players since taking the exercises at any speed will give the desired results.Very nice book.

This is an amazing exercise tool for the saxophone. It does not contain anything too original- it puts together some of the basic exercises (long tones, major and minor scales, arpeggios of different intervals) and requires you to play all of them in a way that forces you to develop great stamina and concentration. After mastering this warm up - there should be no trouble playing anything. Your tone will be great, your fingering swift, and your ear open to different intervals.

If you've been frustrated by practice books that show you a pattern in one key and then say "Transpose and memorize this in all 12 keys," then this book should make life a lot easier for you.Jackie spells out all his exercises in all 12 keys. He even notates all the accidentals for you. So with a minimum of mental gymnastics you can get down to the physical gymnastics of drilling his favorite practice patterns into your fingers until your muscle memory takes over.By placing equal emphasis on all 12 keys from the very beginning, this book will get you all around your horn with maximum efficiency. Many of the exercises change key twice per measure, so you have no opportunity to get stuck in a "easy key" rut. Instead you'll find yourself adopting a "wholistic" mindset as Maclean runs you through the major, minor, dominant, diminished and augmented scales.My only nitpick is that a CD would have been nice. But the patterns aren't rhythmically complicated or hard to read so I guess a CD isn't really necessary. Also you should know that this is a fairly short book. The idea is that once you've got them thoroughly memorized you'll be able to run through the whole set of patterns in 45 minutes and they'll become your regular warm-up routine.Two of Mclean's most popular original compositions are included at the end of the book as a bonus.

Not really helpful. What I need is complete details step by step procedure. Anyway thank you for asking but not really satisfied.

There are many exercises like this...does what it is advertised to do...but other exercised will work for this purpose.

This book gives students a core routine across the standard range of the saxophone. There are many scales,chords, and patterns that helps teach music theory from the beginning. This is a required book for all my sophomore students and I buy the books(for them to keep) to help the parents keep their costs down.

I've enjoyed doing the exercises which give one a good appreciation and feel for different key signatures and scales. The added music at the end, including the song, "Dig", is an excellent way to follow the warm-up.

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Daily Warm-Up Exercises for Saxophone PDF

Daily Warm-Up Exercises for Saxophone PDF

Daily Warm-Up Exercises for Saxophone PDF

Daily Warm-Up Exercises for Saxophone PDF